![]() ![]() As a result, whether it was the jazz trombonist’s intention or not, Jon Blondell’s performance on Sublime’s “Wrong Way” single-handedly confirmed the third wave of ska music in America. Use our Online Metronome to practice at a tempo. His extended technique, amplified by the band’s dynamics, gradually builds momentum back into the vocal section where Blondell hits a high E that would make most guitarists scream. Then youd see shes drivin blind - and your ass is dead meat. Wrong Way is played at 152 Beats Per Minute (Allegro), or 38 Measures/Bars Per Minute. Sublime: Wrong Way DIGITAL MEDIUM: Interactive Sheet Music Publisher, Hal Leonard Instrumentation, Piano, Vocal and Guitar Product Format, Sheet-Digital. Annies twelve years old in two more shell be a whore Nobody ever told her its the wrong way Dont be afraid with the quickness youll get laid For your family get paid its the wrong way. Blondell’s cascading entrance is about as high-energy as it gets, while his playfulness is on display with a tease of Gershwin’s theme to “Rhapsody in Blue,” embellished literally with a “nah-nee-nah-nee, nah” and followed by a jazz chromaticism up the fifth in the melody. Rock solos should always start big and finish even bigger. ![]() Relying on his jazz background, and an appreciation for the nimble Bill Watrous, Blondell proved that there is clearly a place in rock ‘n roll for the doodle-tongue. ![]() “Wrong Way” (PDF) from the album, Sublime.Īustin trombonist Jon Blondell recorded the greatest trombone solo in rock history. ![]()
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